Native Instruments' The Grandeur is widely considered a "workhorse" virtual piano, prized for its balanced, bright tone and its ability to cut through a mix. Sampled from a Hamburg Steinway D

Vibe: Creates a "rolling" feeling, like a high-speed train or a ticking clock. 2. The Harmonic Progression (12-Bar Cycle)

Sound Customization: Users can manipulate the Lid Position (open, half-open, or closed), adjust Pedal Noise, and control String Resonance and Damper sounds to tailor the acoustics .

(Alternative Method: Use a MIDI plugin in your DAW. Ableton’s Velocity device, Logic’s MIDI Compressor, or FL Studio’s Velocity tool can cap the max velocity to 120 before the signal hits Kontakt.)

The library is designed for the Kontakt Player (or full Kontakt version) and is cross-platform compatible. Specification Size ~5.26 GB compressed (13.7 GB uncompressed) Platform macOS 10.12+ / Windows 7 SP1+ Format VST, AU, AAX Native (64-bit) Hardware Intel Core i5 or higher (i7 recommended); 4GB+ RAM

allows you to shift the timbre from soft and warm to hard and bright. It also includes a Lid control to simulate three different lid positions. Smart Tweaks

, providing a smooth dynamic range from delicate pianissimos to powerful fortissimos. Tone Character

Performance Tips

  • Use two layers: duplicate the instrument and set one with more room/reverb for ambiance, the other dry for attack; blend to taste.
  • For faster CPU: reduce sample pre-load or use lower polyphony/Voices settings.
  • For realism: use the sustain pedal and allow release samples; avoid excessive legato scripting that can sound artificial.

The EMT 120 plate reverb was first introduced in the 1950s and quickly became a favorite among engineers and producers. Its unique sound was characterized by a warm, smooth decay and a rich, metallic timbre. The EMT 120 was used on countless classic recordings, from Elvis Presley to The Beatles.

11 thoughts on “Ukraine Models 2016 (#2) – Leica M240”

  1. 12 — Native Instruments The Grandeur 120

    Native Instruments' The Grandeur is widely considered a "workhorse" virtual piano, prized for its balanced, bright tone and its ability to cut through a mix. Sampled from a Hamburg Steinway D

    Vibe: Creates a "rolling" feeling, like a high-speed train or a ticking clock. 2. The Harmonic Progression (12-Bar Cycle)

    Sound Customization: Users can manipulate the Lid Position (open, half-open, or closed), adjust Pedal Noise, and control String Resonance and Damper sounds to tailor the acoustics . native instruments the grandeur 120 12

    (Alternative Method: Use a MIDI plugin in your DAW. Ableton’s Velocity device, Logic’s MIDI Compressor, or FL Studio’s Velocity tool can cap the max velocity to 120 before the signal hits Kontakt.)

    The library is designed for the Kontakt Player (or full Kontakt version) and is cross-platform compatible. Specification Size ~5.26 GB compressed (13.7 GB uncompressed) Platform macOS 10.12+ / Windows 7 SP1+ Format VST, AU, AAX Native (64-bit) Hardware Intel Core i5 or higher (i7 recommended); 4GB+ RAM Native Instruments' The Grandeur is widely considered a

    allows you to shift the timbre from soft and warm to hard and bright. It also includes a Lid control to simulate three different lid positions. Smart Tweaks

    , providing a smooth dynamic range from delicate pianissimos to powerful fortissimos. Tone Character Use two layers: duplicate the instrument and set

    Performance Tips

    • Use two layers: duplicate the instrument and set one with more room/reverb for ambiance, the other dry for attack; blend to taste.
    • For faster CPU: reduce sample pre-load or use lower polyphony/Voices settings.
    • For realism: use the sustain pedal and allow release samples; avoid excessive legato scripting that can sound artificial.

    The EMT 120 plate reverb was first introduced in the 1950s and quickly became a favorite among engineers and producers. Its unique sound was characterized by a warm, smooth decay and a rich, metallic timbre. The EMT 120 was used on countless classic recordings, from Elvis Presley to The Beatles.

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  6. Great set of pictures Matthew. I love the colour ones in particular but all are excellent. You’ve really nailed the lighting and composition.

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  8. You do good work. I personally like the interaction between a rangefinder camera and a live model moreso than a DSLR type camera, which somehow is between us. Of course, the chat between you and the model makes the image come alive. The one thing no one sees is the interaction. Carry on.

    1. Thanks Tom, yes agree RF cameras block the face less for interactions. Agree it’s the chat that makes shoots a success or not. Cheers!

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