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and explores a dramatic theme involving a protagonist, his stepsister, and a betrayal by a friend.

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At the counter sat Yuki Tanaka, once Japan’s brightest taiga drama actress. At thirty-eight, she was considered past her prime by the industry’s cruel arithmetic. She had been a national treasure at twenty, playing princesses and warrior women. Now the only roles she received were mothers of the protagonist or ghostly figures in horror B-movies. She had come to Hisui because her manager had suggested she “reconsider her attitude” after she refused a gravure photoshoot—a shoot designed to sell her aging body as a nostalgic fetish.